12 Aug:
SYO FLAGSHIP CONCERT 4 on December 12 when they perform Mahler Symphony No.3.Why did you choose to play the Horn and when did you start?
The initial reason why I chose the horn was because my best friend played horn and I wanted to sit beside her in concert band! I’ve always had an interest in music and the arts. My first musical education was traditional Indonesian music dancing along to Javanese Gamelan orchestras. On my return to Oz, I began the horn in year 6. Horn was the instrument that came most natural to me and I had admired its interesting shape and unique tone (which took a few years to conquer!).
How long have you been in SYO and what have you gained from being involved?
I’ve been a part of SYO for about 3 years now. I’ve gained a lot of confidence in my orchestral horn playing now having the experience of covering all roles, high/low parts in a horn section. It’s also such a pleasure working with such talented musicians and prestigious conductors who just ooze musical passion and energy.
Why is playing in a Mahler Symphony so important to a horn player?
For a horn player, a Mahler Symphony is simply epic! So far Mahler 3 is the most challenging repertoire for orchestral horn that I’ve come across.. oh and it is Mahler’s longest work. I’m very excited for this program as the experience I will gain will be invaluable for most orchestral repertoire. Also it’s not every day I get to lead an 8 horn section... Yes 8 horns will soar! It will be huge and one of those memorable concerts for the entire ensemble.
What has this year in SYO given you? What has been your best experience this year?
I feel so grateful for the orchestral training I am getting, especially under the baton of such inspiring Australian Conductors. One of my favourite concerts this year with SYO was playing Rimsky-Korsakov’s Scherazade, with conductor Max McBride and also the classic Beethoven 5 with conductor Richard Gill. It was the first time I could lead and make decisions for my horn section while enjoying the music to its full, not worrying and stressing about tricky sections. I believe the conductor initiates the orchestra’s ensemble interpretation to its best ability and also have the duty of providing trust and support. It is this bond that creates those magical moments.
What are your musical aspirations? Where would you like to be in 5 years time?
I want to become a horn player in a great orchestra. Firstly I will want to gain some experience overseas. I want to go to London, Germany and America to discover new ideas and depth about horn playing and also to represent Australian horn players. I think it’s important for musicians to come back to Australia to support the growing interest of classical music here. We need to give back to the community and make sure it stays alive!! If there are opportunities to get a job here in Australia I will go for it. I also have a calling to develop my knowledge of Classical Indonesian music, dance and culture. To have a balance of both these interests would be bliss.
Kartini Suharto-Martin 
